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Since my revisions on the After Midnight script had gone over so well, Marcus had insisted I do the bulk of the re-writes from now on, in exchange for a screenwriter credit when the movie was actually released and a decent salary. It felt nice to know I’d have such a hand in bringing my own work to the big screen, and made me confident enough in my own abilities again.

Of course, confidence wasn’t usually a problem, but the way Georgie had gone off on me over the pages I’d submitted, I was beginning to doubt my talent and my ability to do my job.

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